Research interests include: performance practice and analyzing recordings as historical documents. 

Article published in 2024: “On the Record: Interpreting Recorded Performances of the Oboe Cadenza from Beethoven’s Fifth Symphony, 1910 - 2016,” The Double Reed 47/3 (90 - 110)

Visit the International Double Reed Society’s online journal publication, The Double Reed, to read my quarterly oboe recording reviews

See my website, Recording Database of Selected Orchestral Solos for the Oboe- Recorded between 1910 and 2016: meghanwoodard.wordpress.com